故事讲述了一个从穷山里走出的大学生，穷困迫使他去打工来维持上学所需。机缘巧合的让他在勤工俭学时遇到了那个让他为爱付出一切的男人。两人一见如故，快速的擦处了爱情的火花，但美好总是短暂的，两个男人的爱情哪怕是真爱，也不会被世人所接受。同学的嘲讽，外界的压力和舆论，他被迫退学。年迈的父母心灰意冷，万般绝望。终究为了儿子勉强妥协，造势弄人，本应该平静下来慢慢享受对方爱的两个男人，却遭到一次又一次的“灾难”，为了度过难关彼此互相隐瞒着各自心中藏匿已久的事实真相，甚至纷纷出卖自己肉体。一次次的绝望把他们推向死亡的边缘…

故事讲述了一个从穷山里走出的大学生，穷困迫使他去打工来维持上学所需。机缘巧合的让他在勤工俭学时遇到了那个让他为爱付出一切的男人。两人一见如故，快速的擦处了爱情的火花，但美好总是短暂的，两个男人的爱情哪怕是真爱，也不会被世人所接受。同学的嘲讽，外界的压力和舆论，他被迫退学。年迈的父母心灰意冷，万般绝望。终究为了儿子勉强妥协，造势弄人，本应该平静下来慢慢享受对方爱的两个男人，却遭到一次又一次的“灾难”，为了度过难关彼此互相隐瞒着各自心中藏匿已久的事实真相，甚至纷纷出卖自己肉体。一次次的绝望把他们推向死亡的边缘…

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

《潜能者》是由腾讯新闻立春工作室出品的全网首档极限运动户外访谈真人秀节目。第二季通过“人生各自有光”这一主题来讲述户外极限运动员的挑战故事，他们经历过人生的高低起伏，有过辉煌的巅峰，也有过伤痛的低谷，但是他们从未放弃；他们不是追光者，但他们让自己成为了光，也让自己的光和热照亮更多的人。第二季节目于2020年9月23日在腾讯新闻播出。

《潜能者》是由腾讯新闻立春工作室出品的全网首档极限运动户外访谈真人秀节目。第二季通过“人生各自有光”这一主题来讲述户外极限运动员的挑战故事，他们经历过人生的高低起伏，有过辉煌的巅峰，也有过伤痛的低谷，但是他们从未放弃；他们不是追光者，但他们让自己成为了光，也让自己的光和热照亮更多的人。第二季节目于2020年9月23日在腾讯新闻播出。

Bibi and Tina welcome three new vacation guests to Martinshof. They call themselves Disturber, Silence and Spooky and they are simply different: Silence doesn't speak, Spooky believes in aliens and Disturber declares war on Bibi. She will drive the laughter out of Bibi! Disturber's mistrust even drives her into the arms of the mysterious V. Arscher, who is waging an elaborate campaign of revenge against Count Falko. The excitement caused by a meteorite shower from outer space is just what they need and they panic the whole of Falkenstein. No one can be sure anymore! But he hasn't reckoned with Bibi and Tina and their new friends, who aren't fooled.

本剧改编自同名漫画，讲述了秋山圣（宫近海斗 饰）和星小和（葵若菜 饰）是青梅竹马，26年来像家人般亲密。圣从小暗恋小和，却隐藏感情维持现状；小和因中学时目睹圣与恋人分手，害怕关系破裂，选择封印对圣的情感，决心一辈子做朋友。然而，26岁时的一晚，两人在醉酒后度过了亲密一夜。圣借此向小和表白多年暗恋，但小和因坚持青梅竹马的立场而困惑动摇。圣希望关系更进一步，小和却竭力回避，两人因此陷入复杂的情感纠葛。